{"id":1310,"date":"2021-05-22T21:08:45","date_gmt":"2021-05-22T21:08:45","guid":{"rendered":"https:\/\/sarpidon-academy.eu\/?page_id=1310"},"modified":"2022-05-23T17:48:11","modified_gmt":"2022-05-23T17:48:11","slug":"oi-fonitikes-axies-grammikis-a-kai-v-gr","status":"publish","type":"page","link":"https:\/\/sarpidon-academy.eu\/en\/oi-fonitikes-axies-grammikis-a-kai-v-gr\/","title":{"rendered":"The Phonetic Values of Linear A and B Script"},"content":{"rendered":"

The   Phonetic  Values  of  Linear  A  and  B  Script<\/strong><\/span><\/p>\n

As    phonetic  value  for  each  symbol  of  Linear  A  and  B  Script, is  defined  the  phonetic  rendition   of  each  notation.<\/strong><\/span><\/p>\n

Iakovos  Thomopoulos   in  his  book   Pelasgika<\/em>  (\u03a0\u03b5\u03bb\u03b1\u03c3\u03b3\u03b9\u03ba\u03ac<\/em>),  in 1912,    presents  his  thesis  about  the  phonetic  values  of   some  ancestral  texts. His  opinion  could  be  considered  as   the  first  essential  presentation  of  the  phonetic  values  for  the  ancestral  texts.<\/span><\/p>\n

The  Academy  will   present  at   some  point   in  the  future  the  phonetic  values  deriving  from  his  studies<\/strong><\/span><\/p>\n

The  second  research   about  the  figuration  of  the  phonetic  values  that  was  presented,   is    that  by  Ventris-Chadwick.<\/span><\/p>\n

After  they  studied  approximately  3.000  inscriptions  in the    1950s, they  drew  the  first  conclusions,  which  are  the  basis  for  those  dealing   with  these  texts. According  to  the  following  table, Ventris  and   Chadwick  phonetically   rendered   72  notations  among  the  87  that  they  present.<\/span><\/p>\n

The  third   study  of  figuration  of  the  phonetic  values  is  a  project  by  the  Professor  of  Theology,   Christos  Liolios. In  his  book  Spelling  Book   of  Cretan-Minoan  and  Mycenaean   Linear  A  and  B Script<\/em> (A\u03bb\u03c6\u03b1\u03b2\u03b7\u03c4\u03ac\u03c1\u03b9\u03bf \u039a\u03c1\u03b7\u03c4\u03bf-\u039c\u03b9\u03bd\u03c9\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u039c\u03c5\u03ba\u03b7\u03bd\u03b1\u03ca\u03ba\u03ae\u03c2 \u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae\u03c2\u0393\u03c1\u03b1\u03c6\u03ae\u03c2 \u0391 \u03ba\u03b1\u03b9 \u0392<\/em>)  he  fills  the  Ventris  and   Chadwick\u2019s   table  with  extra  phonetic  values,  identified  in  his  study.<\/span><\/p>\n

The  modern  researcher of  the  Phaistos  Disc  Gareth  Owens,  designated  a  part  of  the   phonetic  values  of  the  Disc, by  using  the  Ventris  and   Chadwick\u2019s   table. Ioannis  Chamizidis  managed  to  read  and  interpret  the  Disc  in  2016, by  completing  and  modifying  these  phonetic  values.<\/span><\/p>\n

 <\/p>\n

\"John11\"<\/strong><\/span><\/p>\n

 <\/strong><\/span><\/p>\n

A   table  on  page  176  of  Chadwick\u2019s  book  <\/strong>Linear  B, The  First  Greek  Script  . (<\/em>\u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae \u0392\u2019 \u0397 \u03c0\u03c1\u03ce\u03c4\u03b7 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u03b3\u03c1\u03b1\u03c6\u03ae<\/em>).<\/span><\/p>\n

The   Director  of  the  International  Academy  of  Ancestral  Discourse, Mr.   Ioannis  Chamizidis,  who  is  also  a  researcher  of  the  ancestral  texts,  according  to  the  tables  by  I.  Thomopoulos, Ventris  and   Chadwick  and  Gareth  Owens,  keeps  on  his  studies  on  them, completing  them  with  new  phonetic  values.<\/span><\/p>\n

The  new  phonetic  values  that  Mr.   Ioannis  Chamizidis   has  identified  and  uses  in  his  readings, are  more  than  100.<\/span><\/p>\n

The  table  in  question   is   going  to  be  suspended  on  this  website  in  the  near  future.<\/strong><\/span><\/p>\n

  Apart  from  the  phonetic  values  that  he    has  completed, he  realized  that, the  Greek  Classical  Literature  is  not  enough  for  the  rendition  of  the  ancestral  texts. This  rendition  is  complete  with  the  aid  of  the  Pontic  and  the  Macedonian   Dialects.<\/span><\/p>\n

His  knowledge  about  the  Pontic  and  the  Macedonian   Dialects,  is  a  kind  of  support  when  unknown  words  need  to  be  added  and  cannot  be  found  in  the  Greek  Classical  Literature.<\/span><\/p>\n

A  characteristic  example  is  the  word   geto( \u03b3\u03b5\u03af\u03c4\u03bf)<\/em>,  about  which  in  his  book <\/span><\/p>\n

Linear  B, The  First  Greek  Script  (<\/em>\u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae \u0392\u2019 \u0397 \u03c0\u03c1\u03ce\u03c4\u03b7 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u03b3\u03c1\u03b1\u03c6\u03ae<\/em>),  Chadwick     on  page  89 testifies  :<\/span><\/p>\n

\u201cI  have  searched  but  I  have  not  found  such  a  word  in  the  Greek  Literature. There  is  no  Greek  word   matching  to  it\u201d.<\/em><\/span><\/p>\n

Touching  this  scientific  view, Ioannis  Chamizidis  attests  that he  everyday  uses   the  word  geto( \u03b3\u03b5\u03af\u03c4\u03bf), <\/em>when  he  talks  with  a  Pontic  Greek  maker,  telling  him:  \u201d\u03c7\u03c4\u03af\u03c3\u03bf\u03bd \u03ad\u03bd\u03b1\u03bd \u03b3\u03b5\u03af\u03c4\u03bf\u201d  (make  an  accurate   copy  of  that\u201d.<\/em>In the   Pontic  Dialect  we  say: \u03b3\u03b5\u03af\u03c4\u03bf\u03c2-\u03b3\u03b5\u03af\u03c4\u03b5\u03bd\u03b1-\u03b3\u03b5\u03af\u03c4\u03bf, \u03b1\u03c5\u03c4\u03cc\u03c2-\u03b1\u03c5\u03c4\u03ae-\u03b1\u03c5\u03c4\u03cc<\/em>  (same,  this).  <\/em>A  speaker  of  the  Pontic  Dialect  is  so  near,  while  the  person  who  does  not  speak  Pontic  is  so  far  away  from  that.<\/span><\/p>\n

In  the  same  text  the  word  getorofe<\/em>   can  also  be  found.<\/span><\/p>\n

Nowadays  the  expression  in  the  Present  Imperative  of  the  Pontic  verb  \u03b3\u03b7\u03c4\u03bf\u03c5\u03c1\u03b5\u03cd\u03c9<\/em>  (make,  construct) , <\/em>is  <\/em>\u03b3\u03b7\u03c4\u03bf\u03cd\u03c1\u03b5\u03b2\u03b5<\/em>, (make,  construct).<\/em><\/span><\/p>\n

At  this  point,  I  could  write  that  some  phonetic  values  must  be   reviewed.<\/span><\/p>\n

According  to  Mr.  Chamizidis  all  local  dialects  contribute  to  the  texts.<\/span><\/p>\n

These   are  the  Cretan, the  Cypriot,  the  Western- Macedonian  and  mainly  the  Pontic  Dialects,   with  other  ones  also   being  equally  important.<\/span><\/p>\n

 <\/p>\n

The  International  Academy  of  Ancestral  Discourse  presents  tables  of  phonetic  values  by  other  researchers,  too.<\/span><\/p>\n

A  Syllabary  of  Linear  A,  on  page  26  of  the  book  The  147  Towns  of  Ancient  Crete<\/em>  (\u039f\u03b9 147 \u03c0\u03cc\u03bb\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2\u0391\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>),  by  Antonis  Vassilakis.<\/span><\/p>\n

 <\/p>\n

\"John12\"<\/strong><\/span><\/p>\n

 <\/strong><\/span><\/p>\n

A  Syllabary  of  Linear  B, on  page  27  of  the  book  The  147  Towns  of  Ancient  Crete<\/em>  (\u039f\u03b9 147 \u03c0\u03cc\u03bb\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2\u0391\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>),  by  Antonis  Vassilakis.<\/span><\/p>\n

 <\/p>\n

\"John13\"<\/strong><\/span><\/p>\n

 <\/strong><\/span><\/p>\n

Syllabic  phonetic  values  of  Minoan  Hieroglyphics,  from  page  28  of  the  book  The  147  Towns  of  Ancient  Crete<\/em>  (\u039f\u03b9 147 \u03c0\u03cc\u03bb\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2\u0391\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>),  by  Antonis  Vassilakis.<\/span><\/p>\n

 <\/p>\n

\"john14\"<\/strong><\/span><\/p>\n

 <\/p>\n

A  Syllabary  of  phonetic  values  of  the  ideograms  of  the  Phaistos  Disc.<\/strong><\/span><\/p>\n

    \n
  1. The   Latin  pronunciation  of  the  ideograms  is  that  completed  and  phonetically  rendered  by    Gareth    <\/strong>In  addition  to  that,  however, it  includes  some  extra  phonetic  renditions  by  Ioannis   Chamizidis,  as  he  has  understood  and  expressed  them. These  are  included  on  the  same  column,  into the   parentheses,  so  as  to  single   out  easily.<\/span><\/li>\n
  2. In the  Greek  rendition, this  Syllabary  <\/strong>crystallizes  the  whole  conclusion  drawn  by  Ioannis   Chamizidis,  after  a  lot  of  studies  of    Linear  Script,  lasting  many <\/span><\/li>\n<\/ol>\n

    SYLLABARY   OF  PHONETIC  VALUES<\/strong><\/span><\/p>\n

    LATIN  PRONUNCIATION                                                 MEANING  IN  GREEK<\/strong><\/span><\/p>\n

     <\/strong><\/span><\/p>\n

    \"jh12\"\"jh13\"\"jh14\"
    \n\"jh11\"<\/strong><\/span><\/p>\n

     <\/p>\n

    GENERAL  BIBLIOGRAPHY<\/strong><\/span><\/p>\n

    REFERENCES   TO  LINEAR  SCRIPT<\/strong><\/span><\/p>\n

      \n
    1. \u0391ntonis Vassilakis, The 147  Towns  of  Ancient  Crete<\/em>  (\u039f\u03b9 147 \u03a0\u03cc\u03bb\u03b5\u03b9\u03c2 \u03c4\u03b7\u03c2 \u0391\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>), Kairatos  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2  \u039a\u03b1\u03af\u03c1\u03b1\u03c4\u03bf\u03c2),  Irakleio  2000.<\/span><\/li>\n<\/ol>\n

       <\/p>\n

        \n
      1. \u0391ntonis Keramopoulos , Research in  Western  Macedonia<\/em> (\u0388\u03c1\u03b5\u03c5\u03bd\u03b1\u03b9 \u03b5\u03bd \u0394\u03c5\u03c4\u03b9\u03ba\u03ae \u039c\u03b1\u03ba\u03b5\u03b4\u03bf\u03bd\u03af\u03b1<\/em>)<\/em>, Proceedings  of  the  Archaeological  Company,  Year  1938.<\/span><\/li>\n<\/ol>\n

         <\/p>\n

          \n
        1. \u0391ntonis Keramopoulos, Excavations in  Kastoria  <\/em>(\u0391\u03bd\u03b1\u03c3\u03ba\u03b1\u03c6\u03ae \u03b5\u03bd \u039a\u03b1\u03c3\u03c4\u03bf\u03c1\u03af\u03b1<\/em>)<\/em>,<\/em> Proceedings  of  the  Archaeological  Company,  Year  1940<\/span><\/li>\n<\/ol>\n

           <\/p>\n

          4.Gareth  Owens, Labyrinth: Scripts  and  Languages  of  the  Minoan  and  the  Mycenaean  Crete<\/em>  (\u039b\u03b1\u03b2\u03cd\u03c1\u03b9\u03bd\u03b8\u03bf\u03c2: \u0393\u03c1\u03b1\u03c6\u03ad\u03c2 \u03ba\u03b1\u03b9 \u0393\u03bb\u03ce\u03c3\u03c3\u03b5\u03c2 \u03c4\u03b7\u03c2 \u039c\u03b9\u03bd\u03c9\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u039c\u03c5\u03ba\u03b7\u03bd\u03b1\u03ca\u03ba\u03ae\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>) ,Psychogios  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a8\u03c5\u03c7\u03bf\u03b3\u03c5\u03b9\u03cc\u03c2,),  Translated  by  Nikolidaki,  Kallia,  Irakleio  2007<\/span><\/p>\n

           <\/p>\n

          5., Gareth  Owens,  Daedalus<\/em>: Scripts  and  Languages  of  the  Minoan  and  the  Mycenaean  Crete<\/em> (\u0394\u03b1\u03b9\u03b4\u03b1\u03bb\u03b9\u03ba\u03ac: \u0393\u03c1\u03b1\u03c6\u03ad\u03c2 \u03ba\u03b1\u03b9 \u0393\u03bb\u03ce\u03c3\u03c3\u03b5\u03c2 \u03c4\u03b7\u03c2 \u039c\u03b9\u03bd\u03c9\u03b9\u03ba\u03ae\u03c2 \u03ba\u03b1\u03b9 \u039c\u03c5\u03ba\u03b7\u03bd\u03b1\u03ca\u03ba\u03ae\u03c2 \u039a\u03c1\u03ae\u03c4\u03b7\u03c2<\/em>),Paterakis  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b1\u03c4\u03b5\u03c1\u03ac\u03ba\u03b7\u03c2), \u0391thens  1996.<\/span><\/p>\n

           <\/p>\n

          6.Georgios  Ch.  Chourmouziadis, Dispilio  of  Kastoria. A  lakeside  Prehistoric  Settlement<\/em> (\u03a4\u03bf \u0394\u03b9\u03c3\u03c0\u03b7\u03bb\u03b9\u03cc \u03c4\u03b7\u03c2 \u039a\u03b1\u03c3\u03c4\u03bf\u03c1\u03b9\u03ac\u03c2. \u0388\u03bd\u03b1\u03c2 \u03bb\u03b9\u03bc\u03bd\u03b1\u03af\u03bf\u03c2 \u03a0\u03c1\u03bf\u03ca\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03cc\u03c2\u03bf\u03b9\u03ba\u03b9\u03c3\u03bc\u03cc\u03c2<\/em>),Thessaloniki   1996.<\/span><\/p>\n

           <\/p>\n

           <\/p>\n

            \n
          1. Georgios Ch. Chourmouziadis, Dispilio  7.500  Years  Later<\/em> (\u0394\u03b9\u03c3\u03c0\u03b7\u03bb\u03b9\u03cc 7500 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03bc\u03b5\u03c4\u03ac<\/em>), University Studio Press, Vivliodetiki   (\u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03b4\u03b5\u03c4\u03b9\u03ba\u03ae)   Thessaloniki  2002.<\/span><\/li>\n<\/ol>\n

             <\/p>\n

              \n
            1. Greeks\u2019 Network (\u0395\u03bb\u03bb\u03ae\u03bd\u03c9\u03bd  \u0394\u03af\u03ba\u03c4\u03c5\u03bf)  Egypt  and  Keftiu. Elements  about  the  Minoan  Language <\/em>(\u0391\u03af\u03b3\u03c5\u03c0\u03c4\u03bf\u03c2 \u03ba\u03b1\u03b9 \u039a\u03b5\u03c6\u03c4\u03af\u03bf\u03c5. \u03a3\u03c4\u03bf\u03b9\u03c7\u03b5\u03af\u03b1 \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u039c\u03b9\u03bd\u03c9\u03b9\u03ba\u03ae \u0393\u03bb\u03ce\u03c3\u03c3\u03b1<\/em>), Website.<\/span><\/li>\n<\/ol>\n

               <\/p>\n

              9.Iakovos  Thomopoulos, Pelasgika<\/em>  (\u03a0\u03b5\u03bb\u03b1\u03c3\u03b3\u03b9\u03ba\u03ac<\/em>), Pelekanos  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b5\u03bb\u03b5\u03ba\u03ac\u03bd\u03bf\u03c2), First  Edition  in   1912, Second  Edition  in  2007, \u0391thens   2007.<\/span><\/p>\n

               <\/p>\n

                \n
              1. James T. Hooker, Introduction to Linear  B<\/em> (\u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u03c3\u03c4\u03b7\u03bd \u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae \u0392),<\/em> National  Bank  of  Greece  Cultural  Foundation (\u039c\u03bf\u03c1\u03c6\u03c9\u03c4\u03b9\u03ba\u03cc \u038a\u03b4\u03c1\u03c5\u03bc\u03b1 \u0395\u03b8\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a4\u03c1\u03b1\u03c0\u03ad\u03b6\u03b7\u03c2),Translated  by  Charalambos   Maravelias, \u0391thens  1994.<\/span><\/li>\n<\/ol>\n

                 <\/p>\n

                  \n
                1. John Chadwick, Linear Script B. The  First  Greek  Script<\/em>  (\u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae \u0392\u2019. \u0397 \u03a0\u03c1\u03ce\u03c4\u03b7 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u0393\u03c1\u03b1\u03c6\u03ae<\/em>), Kakoulidis  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03b1\u03ba\u03bf\u03c5\u03bb\u03af\u03b4\u03b7\u03c2), Translated  by  Dimitrios  Tzortzidis,   \u0391thens   1962.<\/span><\/li>\n<\/ol>\n

                   <\/p>\n

                    \n
                  1. 12. John Chadwick, Linear Script  B   and  Relative  Scripts<\/em>  (\u0393\u03c1\u03b1\u03bc\u03bc\u03b9\u03ba\u03ae \u0392\u2019 \u03ba\u03b1\u03b9 \u03a3\u03c5\u03b3\u03b3\u03b5\u03bd\u03b5\u03af\u03c2 \u0393\u03c1\u03b1\u03c6\u03ad\u03c2<\/em>), Papadimas  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b1\u03c0\u03b1\u03b4\u03ae\u03bc\u03b1\u03c2), Translated  by  Nikolaos  Konomis, \u0391thens   <\/span><\/li>\n<\/ol>\n

                     <\/p>\n

                      \n
                    1. John Chadwick, The Mycenaean World  (<\/em>\u039f \u039c\u03c5\u03ba\u03b7\u03bd\u03b1\u03ca\u03ba\u03cc\u03c2 \u039a\u03cc\u03c3\u03bc\u03bf\u03c2<\/em>), Gutenberg  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 Gutenberg), Translated  by  K.  Petropoulos, \u0391thens   1999.<\/span><\/li>\n<\/ol>\n

                       <\/p>\n

                        \n
                      1. \u039a. Kotsakis, Ceramic Technology. Neolithic Culture  in  Greece<\/em> (\u039a\u03b5\u03c1\u03b1\u03bc\u03b9\u03ba\u03ae \u03a4\u03b5\u03c7\u03bd\u03bf\u03bb\u03bf\u03b3\u03af\u03b1. \u039d\u03b5\u03bf\u03bb\u03b9\u03b8\u03b9\u03ba\u03cc\u03c2 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03cc\u03c2 \u03c3\u03c4\u03b7\u03bd \u0395\u03bb\u03bb\u03ac\u03b4\u03b1<\/em>),N.P. Goulandris  Foundation,  Athens 1996<\/span><\/li>\n<\/ol>\n

                        LANGUAGE  AND  LITERATURE  SUPPORT<\/strong><\/span><\/p>\n

                        1.Anthimos  Papadopoulos, Historic  Dictionary  of  the  Pontic  Dialect<\/em> (\u0399\u03c3\u03c4\u03bf\u03c1\u03b9\u03ba\u03cc \u039b\u03b5\u03be\u03b9\u03ba\u03cc \u03c4\u03b7\u03c2 \u03a0\u03bf\u03bd\u03c4\u03b9\u03b1\u03ba\u03ae\u03c2 \u0394\u03b9\u03b1\u03bb\u03ad\u03ba\u03c4\u03bf\u03c5<\/em>), Myrtidis  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039c\u03c5\u03c1\u03c4\u03af\u03b4\u03b7), \u0391thens 1961.<\/span><\/p>\n

                         <\/p>\n

                          \n
                        1. 2. Vassiliki Vlachou, The Regular  and  Irregular  Verbs  of  the  Ancient  Greek  Language<\/em> (\u03a4\u03b1 \u03a1\u03ae\u03bc\u03b1\u03c4\u03b1. \u039f\u03bc\u03b1\u03bb\u03ac-\u0391\u03bd\u03ce\u03bc\u03b1\u03bb\u03b1 \u03c4\u03b7\u03c2 \u0391\u03c1\u03c7\u03b1\u03af\u03b1\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2<\/em>), Gutenberg  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 Gutenberg) ,\u0391thens  <\/span><\/li>\n<\/ol>\n

                           <\/p>\n

                          3.Ioannis  Pantazidis, A  Homeric  Dictionary  of  all  the  Words  of  the  Homeric  Era<\/em> (\u039b\u03b5\u03be\u03b9\u03ba\u03cc\u03bd \u039f\u03bc\u03b7\u03c1\u03b9\u03ba\u03cc\u03bd. \u03a0\u03b5\u03c1\u03b9\u03ad\u03c7\u03bf\u03bd \u03c0\u03ac\u03c3\u03b1\u03c2 \u03c4\u03b1\u03c2 \u03b5\u03c5\u03c1\u03b9\u03c3\u03ba\u03bf\u03bc\u03ad\u03bd\u03b1\u03c2 \u03bb\u03ad\u03be\u03b5\u03b9\u03c2 \u03c0\u03b1\u03c1\u2019 \u039f\u03bc\u03ae\u03c1\u03c9\u03ba\u03b1\u03b9 \u03c4\u03bf\u03b9\u03c2 \u039f\u03bc\u03b7\u03c1\u03af\u03b4\u03b5\u03c2<\/em>), Anestis  Konstantinidis  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u0391\u03bd\u03ad\u03c3\u03c4\u03b7 \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03b9\u03bd\u03af\u03b4\u03b7), \u0391thens  1888.<\/span><\/p>\n

                            \n
                          1. \u0399oannis Chamizidis, The Greek  Language  of  the  East. An  Interpretative  and  Etymologic  Dictionary  of  the  Pontic  Discourse<\/em> (\u03a4\u03b1 \u03a1\u03c9\u03bc\u03b1\u03af\u03b9\u03ba\u03b1 \u03c4\u03b7 \u0391\u03bd\u03b1\u03c4\u03bf\u03bb\u03ae\u03c2. \u0395\u03c1\u03bc\u03b7\u03bd\u03b5\u03c5\u03c4\u03b9\u03ba\u03cc-\u0395\u03c4\u03c5\u03bc\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc \u039b\u03b5\u03be\u03b9\u03ba\u03cc \u03c4\u03bf\u03c5 \u03a0\u03bf\u03bd\u03c4\u03b9\u03b1\u03ba\u03bf\u03cd\u03bb\u03cc\u03b3\u03bf\u03c5<\/em>), ( an  unpublished  dictionary).<\/span><\/li>\n<\/ol>\n

                             <\/p>\n

                              \n
                            1. Liddell-Scott, An Epitome of  the  Great  Dictionary  of  the  Greek  Language<\/em> (\u0395\u03c0\u03b9\u03c4\u03bf\u03bc\u03ae \u03c4\u03bf\u03c5 \u039c\u03b5\u03b3\u03ac\u03bb\u03bf\u03c5 \u039b\u03b5\u03be\u03b9\u03ba\u03bf\u03cd \u03c4\u03b7\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u0393\u03bb\u03ce\u03c3\u03c3\u03b1\u03c2<\/em>), Vima  Newspaper (\u0395\u03c6\u03b7\u03bc\u03b5\u03c1\u03af\u03b4\u03b1 \u0392\u03ae\u03bc\u03b1), Pelekanos  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b5\u03bb\u03b5\u03ba\u03ac\u03bd\u03bf\u03c2), \u0391thens  2007.<\/span><\/li>\n<\/ol>\n

                               <\/p>\n

                                \n
                              1. \u039dikolaos Laparidis, An Etymologic -Interpretative    Dictionary  of    Pontic  <\/em> Words,  Coming  from  the  Ancient Greek  Language<\/em>  (\u0395\u03c4\u03c5\u03bc\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03cc\u03bd-\u0395\u03c1\u03bc\u03b7\u03bd\u03b5\u03c5\u03c4\u03b9\u03ba\u03cc\u03bd \u039b\u03b5\u03be\u03b9\u03bb\u03cc\u03b3\u03b9\u03bf\u03bd \u03a0\u03bf\u03bd\u03c4\u03b9\u03b1\u03ba\u03ce\u03bd \u039b\u03ad\u03be\u03b5\u03c9\u03bd \u03a0\u03c1\u03bf\u03b5\u03c1\u03c7\u03bf\u03bc\u03ad\u03bd\u03c9\u03bd\u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u0391\u03c1\u03c7\u03b1\u03af\u03b1 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae \u0393\u03bb\u03ce\u03c3\u03c3\u03b1<\/em>), Kyriakidis  Editions (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03af\u03b4\u03b7), Thessaloniki  2002.<\/span><\/li>\n
                              2. Panayotis Yannakopoulos , Dictionary of the  Modern  Greek  Language<\/em>  (\u039b\u03b5\u03be\u03b9\u03ba\u03bf \u03c4\u03b7\u03c2 \u039d\u03ad\u03b1\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u0393\u03bb\u03ce\u03c3\u03c3\u03b1\u03c2<\/em>), Pelekanos  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u03a0\u03b5\u03bb\u03b5\u03ba\u03ac\u03bd\u03bf\u03c2), \u0391thens<\/span><\/li>\n
                              3. Souda or Souida, A  Dictionary<\/em>  (\u039b\u03b5\u03be\u03b9\u03ba\u03cc\u03bd<\/em>), Kaktos  Editions  (\u0395\u03ba\u03b4\u03cc\u03c3\u03b5\u03b9\u03c2 \u039a\u03ac\u03ba\u03c4\u03bf\u03c2), \u0391thens   2004.<\/span><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

                                The   Phonetic  Values  of  Linear  A  and  B  Script As    phonetic  value  for  each  symbol  of  Linear  A  and  B  Script, is  defined  the  phonetic  rendition   of  each  notation. Iakovos  Thomopoulos   in  his  book   Pelasgika  […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-fullwidth-boxed.php","meta":{"footnotes":""},"class_list":["post-1310","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/pages\/1310","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/comments?post=1310"}],"version-history":[{"count":0,"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/pages\/1310\/revisions"}],"wp:attachment":[{"href":"https:\/\/sarpidon-academy.eu\/en\/wp-json\/wp\/v2\/media?parent=1310"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}