The Seal of Yannitsa
A text about botanical therapy. I treat fever through medical plants.
It has been found during excavations in Yannitsa, the town of Pella Prefecture in Greece. It dates back to 5.000 B.C., when Dorians, Greeks, Macedonians started using the letters of our Alphabet to write.
The History of the Seal: In the summer of 1998, during an excavation carried out by the 17 th Ephorate of Antiquities in the Neolithic district of the Old Market in Yannitsa, the town of the Greek Prefecture of Pella, an important discovery about Northern Greece came to light, to prove the truth about the origin of the script the Macedonians used, which was Greek, and not a loan by the Phoenicians.
Its clusters of straight engraving, are the code of a complicated system of initial writing. Although it sounds strange for some, in my opinion this system became known to us through Byzantine Iconography. Its dimensions are 2,5 x 5,5 cm., it is long with a flat and smooth surfaces, which are engraved and they have a hollow and a bent form respectively. This seal, according to the Researcher Archaeologist P. Chrysostomou, («Δαυλός» / “Davlos” magazine, issue 244) dates back to 5.000 B.C., and it includes three series of symbols, which look like the Greek letters. I understand what Mr. Chrysostomou has written, that the Doctrine about the Phoenician origin of the Greek Letters, has been rejected.
There were always suspicions, but now there is written evidence. Thus, the theory about the origin of the Greek written discourse should be re-examined. Maybe the world history should be re-written in terms of the roots of the first culture. Excavations brought to light the first small but very important evidence about that.
In my opinion, it documents knowledge of medical recipes, as it is evident when one reads and interprets the text, which is transmitted to the other people.
It is written under a writing system with multi-used acnes. It was not an unknown way of writing, even nowadays. This system was saved until now by the Byzantine Iconography, and that makes it very easy to read. Around the carvings one can find small holes, that depict in detail the continuous use of the acnes. When a hole is found on a acne, this proves that the letter has been used in the past again. When the hole is on an edge, this means that at this point the letter finishes and after the hole, another letter starts, under the same style. This is a writing system with more details than that which emerged after the Byzantine Iconography, because the holes project the letters clearly and in detail. On the surface of the stone seal, one can observe clear embossed clusters of letters, which, with the aid of the holes, define the words of the text, despite their unequal size. The text is phonetic and not orthrographical, that is why the vowels do not follow the grammatical rules as they are known nowadays, but they exist in the text instead, in the form of carvings, which help the sculptor to use these acnes. The symbols exist in a writing system functioning from left to right. According to Mr. Chrysostomou, they are morphologically identical to those of Vinca (Bulgaria), Gradešnica (Skopje) and Dispilio (Kastoria). What is attested here, is the same division of the writing surface in lines. The elements of the seal are being developed alongside the text and in three lines. The sculptor left some margins on the left and right sides of the text, he/she condensed it in three lines and he/she defined the separation zones in lengthy carvings through straight lines, as wide as the text. It is undoubtedly a system of initial writing, which confirms not only the medical knowledge of the time, which is understood through the interpretation of the text, but also the cultural level of the people who lived in the area of Orestida, in Macedonia, during the Neolithic Era.
It is a discovery that turns over any existing views. A great researcher once said that theories exist in order to be turned over, that is the way the science advances. The text of this seal is enough to prove the origin of 14 letters, at least, of the Greek Alphabet. I may identify the missing letters in another text, so the Greek Alphabet is completed.
Lexical Identification of the Text
ΑΛΓΥ ΧΛΥ ΤΛΥΙ. ΙΤΥ ΧΕΙ ΑΛΧΥ ΜΙΛΥ ΛΙΙ.ΙΛΙΘΑ ΞΕΙ ΠΕΤ ΙΛΥ. ΧΛΙ ΥΠΕΙ ΙΣΙ ΛΥΠΤΙ ΣΙΛΙΚ
Rendition of the text:
Αλγή χλη τλίει Ιτύ χέει αλχύ μίλοι λύει Ήλιθα ξέει πετύαν ιλύ. Χλήν υπεί ησσί λήπτι συλίκ.
The text in Modern Greek
He patiently suffers physical pain and fever. Willow tea, of an unpleasant taste, and sour apples relieve him of pain. He enjoys working with clay. He suffers less from fever now, as fresh air cools his body.
(Πόνο σωματικό (μυϊκό) και θέρμη πυρετού υπομένει καρτερικά. Αυτό που η ιτιά εκχέει ως αφέψημα,δυσάρεστο στη γεύση μαζί με αρκουδόμηλα τον ελευθερώνει από τον πόνο. Αρκούντως ευχαριστιέταιόταν σκαλίζει απλωμένο πηλό. Θέρμη (ζεστασιά) εσωτερική λιγότερη τον καταβάλει ως αποδέκτη στο αεράκι (αύρα).).
A Philosophical Approach and Investigation of the Seal
The Yannitsa Seal is an ancestral text of Macedonia, of high importance, and I dare to say that it is the greatest evidence of the roots of the Greek letters. I understood this system of composite writing, by comparing it to the Byzantine Iconography, which uses the acnes of the letters in multiple ways, and it creates clusters of overlapping letters. As a result, it is not a new system of writing. Its understanding though, needs time and study. Only Greek letters were documented on the seal, identical to those we use nowadays. But the study did not stop there.
The seal under investigation was the object of study of a Scientific Conference in Thessaloniki, and a lot of conclusions were drawn during it. Νο papers about the reading of the seal were found in the Conference Proceedings though.
After my own efforts, I dare to say that this Seal can now speak. The words written on it are one of the initial Greek texts, and probably of Europe, along with the inscription of Dispilio, in Kastoria, which I have also read, interpreted and turned to a melody long ago. In the Ancestral Texts Unit of the website, one can find a Paper titled The Inscription of Dispilio, which includes my views about it.
Plenty of researchers have already studied this topic.
The writing style, the letters and the essence of this text, are the proof of knowledge about our ancestral culture. It belongs to the group of the first greek texts. It is a transitional phase, where the Greek people pass from Linear B, to a new way of phonetic transcription of the sounds of the words through new symbols, as the vowels have been separated.
The words of this text, as well as the writing system are Greek, with clusters of letters and a multiple use of the acnes of the letters. There are 65 letters in total, identical to those used nowadays in the Greek alphabet. The Grammatical and Syntactic structure of the text follows the rules of the Classical Language, with a particularity though. It is the era when written discourse almost always records the root of the word, without the suffix of the verb. Nevertheless, we are in the beginning of the written discourse, which is different enough and maybe more deficient than the Ιοnic one, which is delicate and perfect. If we do not understand that, we will not be able to approach any text. This writing system is a continuous quotation of letter clusters. Thus, the reader should identify the series of the letters, in order to figure the words and meaningful sentences.
While reading this text, one can realize that it is phonetic and not an orthographical one, like all the first Greek texts of the time. We do not search for spelling with grammatical and syntactic rules, as we use it today, in the phonetic system. Instead, these rules emerge later, when the discourse is more mature and meaningful.
This seal, along with other equally interesting texts of the time I have read, are the first important proof of the origin of the letters of the Greek Alphabet, which some people, even nowadays, consider having Phoenician roots. I will dare to say that I distinguish 14 letters among the 65 of the text, that belong to the Greek Alphabet. If I were lucky enough to find more seals, I would probably locate the missing letters in them. The first conclusion is that we did not borrow the letters we use in the writing discourse. We have got our own letters, since 7.000 years ago. These are the first symbols to use while writing in the Civilized Europe of today, and their womb is Greek. It is the first writing of Orestis, the area of Macedonia, and it was spread in all the parts of Greece.
I made a big effort to identify the words at first, then I completed the meaning of the sentences in the text, and now I can present the full result, accurately and with a scientific methodological approach of the words.
The text is absolute and clear. A young man (probably) suffers patiently physical pain and fever. As, a result, a doctor is there to diagnose symptoms of disorder of the normal body function and to make the relevant decisions. He has a physical pain, which results in spasms and fever. Maybe in the bog of Yannitsa that time, people used to call Μalaria the fever, as well as to call fever, any infectious disease. Admirable knowledge of primitive people, as we call them nowadays.
His medical knowledge surprises us. Willow tea, of this unpleasant taste, and sour apples relieve him from pain. Seven years ago they had botanical knowledge. They know about the relieving property of the willow bark and of holly. Medical knowledge that Hippocrates and Dioscourides later documented, and we copy, after having acquired it only one century ago.
He feels satisfied enough when he works with clay. We understand that people of the time had other occupations, apart from medical knowledge. They deal with Pottery and Sculpture. The hero of the text works with clay. As a result, he writes letters or creates images on the clay. He suffers less from fever now, as fresh air cools his body. This is the first recorded medical action, as a kind of recovery. The patient who suffers from fever, is exposed to fresh air, in order to feel better. This is what we do nowadays as well. So, which is the difference between us, the “civilized people” and those of the past?
However, the sculptor writes neither on the clay nor on tile. Instead, he can carve harder surfaces, after he smooths them, like the seal in question. Engraving of the time, on hard, resistant materials, is the link with the present, as it allows us to approach the knowledge, the activity, the views, the situations, the illnesses, recovery methods and physical phenomena, even with some difficulty. If they had written on biodegradable materials, there would have been no indication of their activity and knowledge, as a footprint of that period. Fortunately, the stone, the marble, the clay, the tile, the impregnated wood, the mummification, have saved objects, inscriptions, images, that witness the truths of the past.
Last but not least, this seal is the great evidence of the letters we use to write nowadays. I have searched the Phoenician presence and historical route across time. All the researchers mention the year 2000 B.C., as the year they appear. As a result, they appear later than the people in Orestis, Macedonia, in Karanos time, as a social group and as culture. One of their cultural footprints is this seal. On this seal, one can find 65 letters, 3-A, 1-Γ, 4-Ε, 1-Θ, 18-Ι, 1-Κ, 12-Λ, 1-Μ, 1-Ξ, 3-Π, 2-Σ, 4-Τ, 10-Υ, 4-Χ. Ιt would be better if the text was longer and there were more letters in it. There is absolute evidence of the Greek, Macedonian origin of these 14 letters. Maybe the scientists after the presentation of this ancestral knowledge, should review what they accepted as Greek writing. It is proven that Macedonia is the starting point of this writing, and it spread along time to all the Greeks, through the Doric Dialect.
As a Macedonian I am proud of the Greek origin of the letters, which were invented by my ancestors and offered as a gift to the civilized world by the people of Orestis in Macedonia.